This interview with Dr. Kamran Qureshi was conducted by Southampton Solent University Film Production student Haydn Reed for his final-year module on October 31, 2024.

1. How did you get into the job?

My journey into the film and television industry began in the early 1990s with a modest start as a digital video effects operator on the night shift at a digital effects studio. This early exposure to the industry laid the foundation for my career. I had taken a few computer courses that boosted my confidence and proficiency, ultimately leading to the offer of a permanent role.

As I progressed, I pursued further education, eventually completing my PhD in Professional Practice in Film, Television, and Media from the University of East Anglia’s School of Art, Media, and American Studies. My educational background includes economics, international relations, advertising, and marketing, and I later undertook formal training in filmmaking from top UK film schools, including the National Film & Television School, London Film School, and London Film Academy. Over time, I transitioned into editing, directing, and producing, which led me to establish my own production companies in London, KQ Movies Ltd and Evergreen Media Europe Ltd.

Today, my work includes directing the award-winning feature film Only Love Matters, which addresses intersex issues in Britain—a subject rarely explored in cinema—and a wide range of TV drama series, talk shows, and documentaries. 

Website: https://kamranqureshi.com/project/research-and-cv/

2. What did you have to do to get the job? (i.e., did you work your way up? Did you have contacts in the industry?)

My rise in the industry was a steady climb through a series of increasingly challenging roles. I started with a foundation in digital video effects and, over time, progressed to roles as an editor and then production manager, eventually taking on directing responsibilities. My family supported me in establishing my own studio, which enabled me to produce independent projects and build my own professional network.

Through my early work on TV dramas and commercials, I developed contacts in the industry and later collaborated with major brands like Nestlé, Coca-Cola, Barclays, and others. Each role taught me specific skills—whether in camera operation, editing, or colour grading—and this broad skill set was invaluable as I moved into directing and producing. These experiences, along with ongoing training and hands-on learning, helped me lead larger projects and eventually take on academic roles. I hold the esteemed title of Senior Fellow of the Higher Education Academy (SFHEA), and now I am a Mentor and Assessor for the Southampton Solent University (UK), staff’s Advance HE Fellowship applications. It’s been a rewarding journey, and I’ve been fortunate to receive recognition for pioneering work in intersex representation in media, which remains one of my most impactful contributions. I have co founded the world’s first research database of Intersex related art forms, including Films, TV, Theatre, Radio, and literature, focusing to garner all information at one place, for filmmakers, researchers & everyone. Please see: https://intersexdatabase.com/

3. What is your day-to-day experience of the job?

My day-to-day experience varies widely, often balancing between directing television dramas, feature films, and talk shows, and fulfilling my academic responsibilities. As both a creative director and an academic, I split my time between hands-on media production and scholarly work. This blend of academic and creative work makes for a dynamic and fulfilling routine. It gives me the chance to tell meaningful stories through my projects while contributing to the educational field, sharing my industry insights, and engaging with students and colleagues on important issues in film and media.

In my role as a Senior Fellow of the Higher Education Academy, I’m heavily involved in mentoring students and colleagues, overseeing teaching practice and research on critical topics within media studies. I also organised events and collaborated on research initiatives such as my role with the UK Reproducibility Network (UKRN), and a member of research groups, Teaching and Research conference, and juror of film festivals and other activities, which supports film, media, and society.

4. What do you enjoy most about your job?

What I enjoy most about my job is the chance to tell stories that inspire change and spark conversation. Storytelling allows me to delve into themes that are socially relevant and often underrepresented—issues like women’s empowerment, motherhood, and the experiences of intersex individuals. I’m especially committed to addressing sensitive topics, from honour-based violence and human trafficking to religious tolerance and acceptance. Each project gives me a chance to reach audiences in a meaningful way, helping to educate, foster empathy, and bring awareness to complex social issues.

“Only Love Matters,” a groundbreaking (BBC) and critically acclaimed romantic feature film that I recently directed. Notably, it is the first film in cinema history to feature lead intersex characters set in Britain, and sheds light on the challenges faced by people born with intersex variations in American, British and Indian societies, making it an essential film for discussions on equality, diversity, and inclusion in cinema. Seeing the impact they have on audiences, creating understanding around stories that are often marginalised, is one of the most fulfilling aspects of my work.

5. What advice would you have for someone looking to do what you do?

My advice for aspiring directors is to build a solid educational foundation and get as much hands-on experience as possible. Start by volunteering or working on film sets; there’s no better way to learn the technical and creative aspects of production than by being there in person. Discipline and a strong work ethic are crucial in this competitive field, so be prepared to work hard and stay resilient.

I’d also encourage emerging filmmakers to embrace diverse storytelling and focus on the social relevance of their narratives. Think about the impact you want to make with your work and how your stories can contribute to important conversations on representation and inclusivity. Ultimately, success in this industry comes from resilience, dedication, and a commitment to continuous learning. Pursue these qualities, and you’ll be better prepared to handle the challenges of the field and, hopefully, find a fulfilling path as a director.

Academic Profile: https://www.solent.ac.uk/staff/academic/kamran-qureshi